It is only a ½ hour drive from Garmisch-Partenkirchen to King Ludwig's Linderhof castle.
2 Thursday 1 July, 2010
We park the car in the visitor's parking area and see this amusing sign at the gift store. Caution! Teenager in puberty • Of unsound mind • Can do everything • Knows everything • Sensitive, irritable
3 Thursday 1 July, 2010
There was quite a bit of walking ahead of us with an ungoodly portion of it up hill.
4 Thursday 1 July, 2010
When we enter the palace grounds it is like entering the pages of a fairy tale. White swans glide over a lake surrounded by immaculate gardens.
5 Thursday 1 July, 2010
Linderhof Palace (Schloss Linderhof) is near Oberammergau and Ettal Abbey. It is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed
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Ludwig's three castles are: Schloss Linderhof . Schloss Neuschwanstein (previously described in this photojournal) and the most elaborate of them all, Schloss Herrenchiemsee which is modelled on the Versailles Palace in France.
7 Thursday 1 July, 2010
In 1867 Ludwig visited Viollet-le-Duc's work at Pierrefonds, the Palace of Versailles in France and the Wartburg near Eisenach in the German state of Thuringia which largely influenced the style of the three palaces' construction.
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The cost of Ludwig's castles was enormous • Linderhof 1863 to 1886   8,460,937 Marks Finished • Neuschwanstein 1869 to 1892 6,180,047 Marks Unfinished • Herrenchiemsee 1878 to 1885 16,579,674 Marks Unfinished At the time 20 German marks was equal to £1 sterling.
9 Thursday 1 July, 2010
Ludwig used his personal fortune, supplemented annually from 1873 by 270,000 marks from the Welfenfonds (a fund resulting from the seized assets of the Hanoverian royal family), to fund the construction of his castles. This area is called the water parterre.
10 Thursday 1 July, 2010
At the Southern end of the water parterre, series of steps lead to the Terrace Gardens and from there to the Temple of Venus. In the middle arch on the landing above the fountain is the bust of Marie Antoinette of France.
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On the first landing there is a "Naiad fountain" consisting of three basins and the sculptures of water nymphs. A naked hussy overlooks the scene.
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In Greek mythology, the Naiads were a type of nymph (female spirit) who presided over fountains, wells, springs, streams, brooks and other bodies of freshwater.
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Odd looking sea creatures adorn the second bowl of the fountain.
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Inside the palace reflects Ludwig's fascination with the absolutist government of Ancien Régime France. Ludwig saw himself as the "Moon King", a romantic shadow of the earlier "Sun King", Louis XIV of France.
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A set of stairs leads to the Terrace Garden. Every detail is perfect even to the flowers in the end pot and the flowers at the end of the garden.
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In the 1880s, Ludwig’s construction plans proceeded at full speed. He planned a new castle on the Falkenstein near Pfronten in the Allgäu, a Byzantine palace in the Graswangtal and a Chinese summer palace by the Plansee in Tyrol.
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These projects provided employment for many hundreds of labourers and brought a considerable flow of money to the relatively poor Bavarian regions where his castles were built.
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In winter, Ludwig enjoyed moonlit sleigh rides in an elaborate eighteenth century sleigh, complete with footmen in eighteenth century livery.
19 Thursday 1 July, 2010
I climb the steps to the next level of the Terrace Gardens.
20 Thursday 1 July, 2010
I swing the camera around 180° to capture the rest of the upper level.
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From there, there is one more staircase to ascend before reaching the Temple of Venus
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A round temple with a statue of Venus, flanked by two putti, crowns the gardens. Antoine Watteau's painting The Embarkation for Cythera was the inspiration for the Temple of Venus. Cythera was the birthplace of Venus.
23 Thursday 1 July, 2010
From this level the gardens appear more intricate than viewing them at eye level. The fleu-di-lis pattern is repeated throughout the estate
24 Thursday 1 July, 2010
Time draws near for our tour of the palace. We pass by the gilt fountain group "Flora and puttos". In Roman mythology, Flora was the goddess of flowers and the season of spring (i.e. fertility)
25 Thursday 1 July, 2010
The fountain rises about 25 metres into the air.
26 Thursday 1 July, 2010
It is time for us to tour the castle and it is gross. Every square inch of every wall is decorated with gold or porcelain such that it is a visual nightmare. Apparently Ludwig modelled the interior on rooms in the Versailles Palace in France
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The Neptune fountain forms the bottom end of the cascade and at the top there is a Music Pavilion.
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The music pavillion. You don't have to climb the 30 marble steps as the road circles around to join the pavillion at the top.
29 Thursday 1 July, 2010
The eastern parterre is crowned by a wooden pavilion containing a bust of Louis XVI who was King of France before his deposition and execution during the French Revolution
30 Thursday 1 July, 2010
Below the pavillion in front of us is a fountain with a gilt sculpture "Amor shooting an arrow". A sculpture of "Venus and Adonis" is situated between the fountain and the palace.
31 Thursday 1 July, 2010
We walk up hill to the Grotto of Venus via a vine-covered walkway.
32 Thursday 1 July, 2010
We wait at the entrance of the grotto until it is time for the English Language tour to begin.
33 Thursday 1 July, 2010
As we enter the grotto, A Wagnerian opera is playing. The building is wholly artificial and represents a scene from the first act of Wagner's "Tannhäuser".
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The grotto is a very elaborate theatre constructed for Ludwig's private use. The curtain behind the boat rises as the performance begins with the orchestra situated on the platform to the right of the stage.
35 Thursday 1 July, 2010
Ludwig liked to be rowed over the lake in his golden swan boat but at the same time he wanted his own blue grotto of Capri. So he had 24 dynamos installed to illuminate the set not only in blue but other colours as well.
36 Thursday 1 July, 2010
"The State Building Authority Weilheim and the Bavarian Palace Department are currently (2013) developing a concept for the passage of time have become necessary restoration of the Venus Grotto." Translation courtesy of Google.
37 Thursday 1 July, 2010
The exterior of the Venus Grotto brings you back to reality with a rush.
38 Thursday 1 July, 2010
As we leave the grotto to explore the rest of the grounds, we can see the Temple of Venus.
39 Thursday 1 July, 2010
The estate is maintained by the Bavarian Department of State Owned Palaces. The department looks after the palaces and residences that remained after the royal family was relieved of its power.
40 Thursday 1 July, 2010
The Department of Palaces has gradually taken over a number of other properties as well so that it is currently represented in six out of the seven regions of Bavaria with 45 palaces, castles and residences, 27 historic gardens and 21 lakes
41 Thursday 1 July, 2010
We head for the tea house expecting that we should be able to get a cup of tea there. We travel along this gravel road to get there.
42 Thursday 1 July, 2010
Flowers that have to be planted and carefully nurtured in Australia grow freely beside the path.
43 Thursday 1 July, 2010
We must have misunderstood the translation because it was the Moorish Kiosk and not a tea house.
44 Thursday 1 July, 2010
It was designed by the Berliner architect Karl von Diebitsch for the Prussian exhibit at the International Exhibition in Paris 1867. Ludwig II wanted to buy it but was forestalled by the railroad king Bethel Henry Strousberg.
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After Strousberg's bankruptcy, Ludwig II bought the building for Linderhof Palace Park in 1876 and had it rebuilt and reappointed to his specifications.
46 Thursday 1 July, 2010
The decoration on either side of the front door reflects an idealised interpretation of Eastern Islamic art. Very intricate but quite different from the Middle Eastern style.
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The Moorish Kiosk is perfectly positioned to take advantage of the stunning views
48 Thursday 1 July, 2010
Across the main entrance door sits a stained glass window done in Islamic geometric style.
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Inside the Kiosk, the window comes alive with sunlight streaming through it. It isn't genuine Islamic because there is no repetition of a theme. Nice though.
50 Thursday 1 July, 2010
The main point of interest inside is the peacock throne.
51 Thursday 1 July, 2010
My ankle is extremely sore after the walk up the hill to the Grotto.
52 Thursday 1 July, 2010
We decide it's time to leave and head for the exit.
53 Thursday 1 July, 2010
A gravel path leads us back to the palace - fortunately, it's downhill.
54 Thursday 1 July, 2010
The gravel path takes us to another garden which goes to the rear side of the statue of King Louis XVI, then to the Eastern Parterre
55 Thursday 1 July, 2010
We pass the southern parterre again where the fountain is broadcasting at full volume.
56 Thursday 1 July, 2010
Ludwig had a special fascination for trees so he allowed the tall, 300-year-old linden tree near the steps to remain in the formal gardens although it disturbed the gardens' symmetry.
Interesting botanical note: Linden trees are hermaphroditic, having flowers with both male and female parts, pollinated by insects.
57 Thursday 1 July, 2010
The tree did not give the palace its name; it came from a family called "Linder" that used to cultivate a farm that once occupied this area (Hof = farm).
58 Thursday 1 July, 2010
As we head for the exit we realise that reality does not always match fantasy: there is swan poo everywhere
59 Thursday 1 July, 2010
As we near the exit, we see a sign pointing to the Moroccan House.
60 Thursday 1 July, 2010
Ludwig acquired the Moroccan House at the World Exhibition in Paris in 1878. It was then remodelled inside to Ludwig's requirements and built on the Stockalpe near the Austrian border - some distance from its present location.
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A private individual acquired the wooden building after the king's death and moved it to Oberammergau. The state bought it back in 1980 and reconstructed it in the palace park in 1998.
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Inside the building is an amazing display of Islamic style art.
63 Thursday 1 July, 2010
The ceiling is particularly intricate and ornate. Presumably the scribble at the bottom is supposed to represent Arabic text but it does not look genuine to me. Whatever it is, it ain't Arabic.
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The lower panel is reminiscent of the three-dimensional mocárabe vaulting in the Alhambra.
65 Thursday 1 July, 2010
The fencing is quite elaborate but it doesn't look genuine Islamic to me.
66 Thursday 1 July, 2010
Probably because this motif is based on the fleur-de-lis which is a theme carried on throughout the castle and its grounds. Still very nice though.
67 Thursday 1 July, 2010
"Mad" King Ludwig may have been decidedly eccentric but he left some magnificent assets behind him to be enjoyed by all of the world's peoples. How many others of history's dead potentates can make such a claim?
68 Thursday 1 July, 2010
Shortly after leaving Linderhof, we see the Ettal Abbey. It has a community of more than 50 monks and is a major tourist attraction.